Sunday, 22 April 2012

The importance of 'Maa Boli' (Mother Tongue)

Over the past few days, I've been remembering some highlights from my last visit to Punjab five years ago. I was only there for less than 2 weeks and did a lot in such a short space of time, that I don't even remember much of it. But, one such incident took place that I remember very well and which, prompted me to write this post.

September 2007, Bathinda, Punjab


On this particular morning, my mum, my sister and I set off for the bazaar to do some suit shopping. We came across this suit shop and were greeted by a young Singh in his 20's, one of the helpers in the shop.  He greeted my mum:

'Hello Ma'am Ji. Kya chaahee ye aap ko? Sari ya suit?'

My mum ignored him and I was surprised at this because I found it rude that he greeted my mum politely and she didn't acknowledge it. But it wasn't long before I would understand the reason for my mums behaviour. Anyway, despite this, he kept on following us around the shop and pestering us, as is typical and expected. He was pestering us to look at the new ranges of material designs and pestering us asking:

'Ma'am ji, aap kaha se aaye hai? England ya america se?'

Finally, my mum spoke. She told him we were from India (not entirely a lie, as my mum was born there) but then she asked him where he was from. He laughed at her question stating it was clearly obvious by looking at him and by his speech that he was from Punjab. My mum replied:

'Je tu Punjab de vich rehnda te tainu disda ke saade hath'ch kara paayia, asee vee sikh, te tu vee Sikh, pher tu mere naal hindi kio bolda?'

I remember so clearly the boy looking at me with a confused face and me looking at him with a confused face. Both my sister and I understood that he was just joking with my mum and having a laugh and at the time, both my sister and I thought that maybe our mum was offended because she didn't appreciate his humour. But that wasn't the case. She asked him:

'Tu school'ch parda?'

He replied in Punjabi: ' Hunji ma'am mai school'ch parda'.

Mum: 'School de vich punjabi nai paraunde?'

Young boy: 'Hunj ji ma'am par hindi saada medium aa. Asee hindi hee bolde aa. Shop de vich saare kam karan vaale hindi bolde aa.'

By this point, a scene had been created. At the time I remember feeling embarrassed because everyone in the shop had their attention to us and the conversation, and the boy was talking with his head down. He was clearly embarrassed too. My mum asked him if he could read and write Punjabi, and still with his head down, he quietly replied: 'nai ji'.

Mum:  'Mainu pata, ke tera kasoor nai je tainu school'ch punjabi nai paraunde. Par ghatto ghat, tu mere naal punjabi bol sakda see. Eh saadi maa boli ya, je Punjab de vich asee aavde maa boli nu sambhaal nai sakde, pher aggo kee haugaa? Tu punjab da rehn vaala javaan munda ya, punjabi bol. Sambaal aavdi maa boli nu. Apni virse nu sambaal'.

My mum told him that she was no longer interested in buying anything from the shop, because she was disappointed that all the workers spoke in Hindi. At the time, I remember feeling so embarrassed that as we walked out the shop, even I walked out with my head down avoiding eye contact with anyone.

Hindsight is a great thing. When I look back now, I feel proud of my mum for making a stand and setting an example to not only me and my sister but to everyone who was in that shop. That conversation may or may not have changed the boys attitude but the fact of the matter is, that my mum demonstrated the importance of speaking Punjabi, so much so, that she refused to buy anything from the shop and aid its business. Now of course my mums actions didn't lose them any business that day but sometimes all it takes to really hammer a point home is to speak the truth and highlight the reality, which my mum did. And if the young boy didn't learnt anything from it, then my sister and I most certainly did.


So what is the importance of maa boli? 

Time and time again, our parents and grandparents etc tell us it's important to learn Punjabi; to speak it, read and write it. But no one tells you why. Its fairly obvious though right? It's not something that requires much explanation. But for me, the answer is that all languages are important because language helps us communicate with the civilians of our world and communication, especially in this day and age of increased inter-connectedness, communication is key. The world is becoming a smaller place because of globalisation. If we can speak other languages, we can learn so much more from the rest of the world.

But 'maa boli' (mother tongue) is so important for the diaspora, for people like you and me. And here's why. If we learn Punjabi then it makes it easier for us to talk to our parents, grandparents, uncles and aunts etc. Our elders have so many amazing stories about our ancestral home, Punjab. Their struggles, their joys, the moments of laughter and pain. There's so much priceless knowledge and life lessons that can be exchanged, but if we can't communicate with them then all this will be lost. Only 2 months ago, I had a brilliant phone conversation with one of my relatives. He was sharing with me all his funny antics that he used to get up to in the pind as a young boy and it was the best conversation I've had. And he was equally happy that he could share his childhood memories with me. It's a conversation that I will always treasure.

Mirza Sahiba, Sassi Punnu, Heer Ranjha, Sohni Mahiwal. These are the Romeo and Juliets of Punjab. What do we know of them? There's so many more folklore stories, folk songs, poetry and novels which are literally gems of Punjabi literature and the authors equally as valuable. All this is at the heart of our culture. In fact, it's the heart of EVERY culture. Language is the soul of a culture and when it cannot be preserved or it is controlled, then the heritage of that culture becomes forgotten and lost in time too. Ultimately, it becomes harder to trace the truth and distinguish fact from fiction.

While I was growing up, there was a rule in my house:

'Punjabi ghare, Angrezi school' ('Speak Punjabi at home and speak English at school')

This was a rule that my sisters and I had to obey and if we were heard speaking English at home, we were fined our pocket money and for fear of losing our money, my sisters and I were afraid to speak English at home. Now, I can fully understand as well as appreciate these stringent methods that at the time, seemed so harsh. I am thankful to my parents for raising us in this way because had they not, I would have surely been a lot less culturally orientated today. I would have been a different person. I doubt I would have had the love for Punjabi culture that I do today. The songs I love and the stories. I would not have known of them, if I could not read Punjabi.

In this country and I'm sure in other countries where the diaspora communities have settled, there's a lot more emphasis on preserving Maa boli, as we are away from our ancestral home. But all you have to do to be reminded of the real problem, is turn the TV on to Punjabi news and see policemen/women and other uniformed officials speaking Hindi. And this is of course understandable but definitely not acceptable.

I'd like to end this post with one very short story. It's not from my personal experience, but albeit is a true story. This is a story told to me in my childhood; the moral being about the importance of mother tongue.

There was a Russian scientist who had just been awarded a national prize for his recognition in contributing to the advancement of science and technology in Russia. A great celebration was held for him on behalf of the government and as a result of media hype and coverage, he became well known and respected among his people. The scientist returned back to his home where his mother lived to show her the prize he received and to share his success with his mother. His mother showed no enthusiasm and nor did she praise him. Instead she told him that, in her eyes, he was nothing even though the rest of Russia hailed him as their greatest scientist. For he could not read or write in his mother tongue and so for her, he was nothing but a failure.

"When a language dies,
the divine things,
stars, sun and moon,
the human things.
to think and to feel,
are no longer reflected
in this mirror.

When a language dies,
all that there is in this world,
oceans and rivers,
animals and plants,
do not think of them,
do not pronounce their names;
they do not exist now.

When a language dies,
the window and the door
are closed up
to all the people of the world,
no longer will they be shown
a different way
to name the divine and human things which is what it means
to be and to live
on the earth.

When a language dies,
its words of love,
intonations of pain and caring,
perhaps the old songs,
the old stories,
the speeches, the prayers,
no one no matter whom
will be able to repeat them again.

When a language dies,
then many have died,
and many more will die soon,
mirrors forever broken,
shadows of voices
forever silenced.
Humanity grows poorer
when a language dies.

Friday, 17 February 2012

The Spirit of Singhs


If you ever watch a Bollywood film, the Sardar is often used to provide comic effect and give us all a great big chuckle. He always plays the role of the clown. Just take a look at 'Singh is King'. If you haven't seen it, here's a quick insight into the film. Akshay Kumar plays a young sardar called 'happy singh'  (because he's always happy) who wears a luminous green pugh, finds romance in Egypt and does a bit of bhangra with snoop dog.  And that's pretty much all the information you need to gather how ridiculous the film is. It really does a fantastic job in displaying our Singhs as a bunch of jokers. Yes, Singhs are known to be happy and high spirited and know how to show anyone a good time, but aside from that, they're hardworking with a fighter spirit too. 

In the times when the British were in India, they recognised the Singhs fighting spirit and were impressed with the valour they displayed in battle. There are many accounts from generals in the British army and even Afghan commanders who wrote about the tremendous amount of courage that the Singhs had but also, their strong determination and willpower to never give up no matter how difficult the circumstance. 

Below is an article I found in the Pardes Weekly. I didn't write it, but I wanted to share it because it really is fitting with this post. 

''We all love Sardar jokes. But do you know that Sikhs are one of the hardest working, prosperous and diversified communities in the world! 
My friend told me about the following incident which I wish to share with you. It has had a deep impact on my thinking.

During the last vacation, a few friends came to Delhi . They rented a taxi for local sight-seeing. The driver was an old Sardar and boys being boys, these pals began cracking Sardarji jokes, just to tease the old man. But to their surprise, the fellow remained unperturbed..

At the end of the sight-seeing, they paid the cab hire charges. The Sardar returned the change, but he gave each one of them one rupee extra and said,''Sons, since morning you have been telling Sardarji jokes. I listened to them all and let me tell you, some of them were in bad taste. Still, I don't mind coz I know that you are young blood and are yet to see the world. But I have one request. I am giving you one rupee each. Give it to the first Sardar beggar that you come across in this or any other city !!!"

My friend continued, "That one rupee coin is still with me. I couldn't find a single Sardar begging anywhere."

MORAL:
The secret behind their universal success is their willingness to do any job with utmost dedication and pride. A Sardar will drive a truck or set up a roadside garage or a dhaba, run a fruit juice stall, take up small time carpentry, ... but he will never beg on the streets

Because Sikhs contribute:

* 33% of total income tax
* 67% of total charities
* 45% of Indian Army

* 59,000+ Gurudwaras serve LANGAR to 5,900,000+ people everyday!

& All this when THEY make only 1.4% of the total INDIAN POPULATION.''



Fauja Singh is the perfect example of a Singh with immense fighting spirit, strength and resilience. Nothing, not even his age is an obstacle for him. So much so that even the global sporting brand 'adidas' recognised his endurance and are his official sponsors.  

The ignorant people assume that all Singh loves bhangra and will respond to you if you call them and say 'balle balle'. The reality is that not EVERY Singh loves Bhangra and 'Sardar Ji' was the title given to Singhs as a sign of utmost respect. 



So my question is, are we to blame for the industrys portrayal of the Singhs? Are they simply representing something that IS true? Or can we hold the industry accountable for its excessive use of a stereotype...? 




100 years old. The worlds oldest marathon runner

Tuesday, 7 February 2012

The lost innocence of Punjab

I thought I should explain the reason as to why I chose to call this blog 'mera rangla punjab'.

Most people are aware of the plight of Punjab. From the infertile lands, the rise of farmer suicide, the high rate of female infanticide and the influx of drugs and alcohol, to name but a few.  And let's not forget the shambolic political agenda with all its bribery. I guess that's something that's applicable to most countries of the world as politics is generally a dirty 'game' full of deceit and trickery but I feel, it's a game that our people haven't quite mastered. The severity of the issues just seems to be spiraling out of control, that it almost seems as if there is no solution.

Contrary to this disorderly web of corruption, is the Punjabi music scene with all its songs that boast about the men of this land; 6 foot in height and muscular in physique. The women, tall and slender with their long black hair which resembles a snake. The lyrics portray a colourful, vibrant landscape in which everyone is jubliant and always up for a celebration even if there is no occassion. Unfortunately, such portrayal of Punjab and its people are not true to life anymore, except the latter point; Punjabi folk are still always up for a party. Any excuse to drink and be merry. 


Many songs come to mind, however songs like Javaani with the vocals of Kaka Bhaniawala, Desh Punjab Di with Nirmal Sidhu, and Rangla Punjab by Sarbjit Cheema are ones that stick out in my mind for their colourful visionary depiction of the landscape and the latter two for their lyrics. When I hear the last two songs mentioned, they inject within me so much energy and I feel a great sense of pride in being Punjabi. For me, the latter two songs are a true reflection of the past spirit of Punjab and its people. 

Today the landscape is not at all like what we see being portrayed in the Punjabi music videos such as the ones above, which show fields upon fields of luscious green crops, 'gabhrus' happily dancing to bhangra and the young punjabi 'mutiyaar' in her ghagra and salvaar kameez. This isn't something I've seen on any of my visits to the Punjab. In fact, on my recent visit 5 years ago, I remember my sister and I shopping in chandigarh wearing phulkari chunni suits with our heads covered and being laughed at by the local girls and boys who were wearing western clothes thinking they were trendy. My mum was shocked to see them whispering and pointing at us making comments like 'why are they wearing those suits? Hardly anyone was wearing a salvaar kameez. So much for punjabi mutiyaar. And the 'gabhrus' described in the song with their 'kundiya muccha and pochmiyaa pagga' also nowhere in sight. 

The songs below are ones which are a true reflection of the current state of Punjab. While I know there are others, for me these are the ones that stand out and the ones that I personally like:


The first addresses the issue of the dried up rivers to the village boys leaving their village for the cosmopolitan lifestyle in the city without seeing the harvest of his crops. The second talks about  preserving nature and preserving punjabi culture addressing issues such as the water shortage in Punjab and the abortion of the female fetus. The last song is one that is chilling and rightly so because it shows how our farmers back home are struggling to harvest crops from lands which are not fertile and with no help from the government, they see suicide as their only option. 


With all this in mind then, why the name 'rangla punjab'?


Because such a time did exist where the plains of Punjab beamed with golden fields of wheat and everyone from the peasants, the farmers, the saints and the warriors were all full of resilience and always in high spirits (chardi kala). The bearded gabhru tall and robust in his chitta chaadra shook the dust on this land with his rhythmic dance of bhangra, the punjabi mutiyaar in her ghagra and saggi phull did once grace this land with her walk that resembled a deer and the sound of the shehnai filled the air in the house of the bride.



Sadly, these times have been lost in the pages of history. They are but nothing fond memories to our parents and grandparents and remind them of their childhood. And for the rest of us, all we have are the paintings which depict the lost innocence of Punjab. And so that's why the title of this blog is 'mera rangla punjab' because it is in honour of our great and glorious heritage. It is a celebration of our colourful and beautiful past. Having said that, such songs as the ones mentioned (rangla punjab, desh punjab di) exist for this very reason also; as a celebration of Punjabi culture.

I'll leave you with two songs that for me perfectly represent the idea of the 'punjabi gabhru' and the 'punjabi mutiyaar'. They will also give you a true sense of gidda and bhangra-raw and undiluted. The gidda video called 'gidda pao kuriyo' was a gidda series on video of traditional gidda. I grew up watching this video with my mum and sisters and I have very fond memories of it because we all used to dance to it and copy the moves. I hope you enjoy watching it as much as I did.

Gidda Pao Kuriyo (Part 1 of 14)
http://www.youtube.com/watch?v=YMLvz_5fRrY&feature=related

Surjit Bindrakhia
http://www.youtube.com/watch?v=eBxmDn1Ea-s&feature=related



Thursday, 2 February 2012

Pakistani Punjabi and Indian Punjabi-What's the Difference?

So today I remembered an incident that occurred when I was in primary school, relating to the question above. Maybe not so much of an incident as such but a moment that I never ever forget...

It's a summers afternoon and the school is hosting a summers fair. There is a fancy dress competition in which the best dressed child wins a prize. My mum decided that my older sister (who was 10 at that time) would be an Indian princess. So she dressed her up in a really pretty green and pink lengha, a nice tikka with a matching necklace and green and pink vanga to match also. She had her hair and make up done too. In all honesty, I didn't think she looked like a princess, as cute as she did look, but it just seemed as if she was going to a wedding.

My mum takes my sister to the judging table and they say 'so tell us about her costume?' to which mum replies  'she's an Indian princess'.

Fair play. The judges (who were not Indian), also thought she looked adorable and agreed that she DID look like an Indian princess. I mean it's not like they see a little brown girl in her traditional outfit every day.

Not long after, another little brown girl dressed in a cream lengha with matching gold tikka and necklace goes to the judging table. The judges say 'looks like we have another Indian princess', to which the mother of the young girl replies 'no, she is not an Indian princess. She is a Pakistani princess'.

You know, at that time, I must have been 8 or 9 and even then I remember asking myself what the difference was between a Pakistani princess and an Indian princess. Both my sister and this young girl looked exactly the same to me. Both wearing lenghas and vanga and tikka. The little girl was in my class. She was from Lahore, which is in Punjab. West Punjab to be precise. Pakistan. I didn't know that at the time, but I just remember being really confused about the difference between 'Indian' and 'Pakistani' princess. I never even knew there was such a thing as a 'Pakistani' princess.

I asked my mum what the difference was , she never gave a response. I don't blame her. What sort of response would you give to an 8 year old? The answer was too complex for my young, inexperienced brain to understand.

Or maybe it wasn't.

It was so simple. There was no difference.

The young girl spoke Punjabi in her house. So did we. She wore a salvaar kameez at home. So did we. She ate daal and roti. So did we. She believed in one 'god'. So did we.

Neither the Indian princess or the Pakistani princess won the competition. The judges (who were English) said great efforts on the lovely sparkly costumes but the Indian princess and Pakistani princess costumes were the same. In retrospect, I find this very ironic that the English judges saw no difference in these two young girls, yet in 1947, a new nation called Pakistan was carved out of India because the then British ruling elites saw nothing but differences between the Muslim, Hindu and Sikh.

Sunday, 29 January 2012

I know of so many people like me who are not born in Punjab but still feel a very strong connection towards it.

There are so many of us Punjabi's growing up and living in all corners of the world that take such great pride in our roots and understand the importance of representing and preserving our rich heritage. (The amount of young people taking part in Bhangra competitions outside of Punjab is just one example of this.)

Having said this, the older generation, people like our mums and dads etc would disagree with this statement and say that we don't know enough or anything at all. I wouldn't say I'm an expert on anything and there are times when I am wrong (either in pronunciation or my understanding of a certain tradition or custom) but that doesn't mean to say that I don't know anything. Since most of us were not born in Punjab and neither lived there, all we can do is develop a very strong affinity and attachment and learn along the way. So I find even now at 24 years old and having been brought up in a very traditional Punjabi household, there is still so much that I don't know and have yet to know. As NRI's (I think that's the best way to put it) we will always have that love and respect for our culture even if we don't understand all the aspects. The fact that we do have this immense love for our culture and a genuine willingness to learn even more, is a fact our elders should celebrate instead of critcising that we don't know enough as we should.

So essentially, this is a platform  from which I can share my love for all things Punjabi.

It's not for anyone or any group in particular. I guess it's for all those that have a desire to learn more about our rich and vibrant past but also for those who, like me feel proud to belong to this great and glorious land.

Punjab is known to so many different people as so many different things. As the land of the five rivers, shera di kaum (nation of brave lions), guru te peera di dharthi (land of gurus and saints) to name a few. So to define it in one way would be an injustice.

Punjab is a heera (diamond) and we all know you can't put a value on a diamond.

Note: This is an outlet where I can share everything that I have learnt from childhood up until now (and whatever else I may learn along the way), hence the reason for the title 'mera rangla punjab'.
It is my upbringing, my knowledge and my experiences of Punjab. So although much of this is fact, some of it is also my own personal thoughts. My references of Punjab will be that of both the Punjab in Pakistan and the Punjab in India. Despite the 'differences' that some might observe, to me these are irrelevant.  Geographically, we're divided and that's a grave fact that can't be changed. But the everlasting songs and poems tell a different story of a land in which all coexisted as one.